Mervyn Gers Unveils “Dump on Dictators” — A Bold Ceramic Art Exhibition Taking Aim at Authoritarianism
South African artist Mervyn Gers makes headlines with Dump on Dictators.
A bold ceramic art exhibition challenging authoritarian rule.
South African artist Mervyn Gers isn’t one to hold back — and his latest exhibition proves it. Dump on Dictators launched in Cape Town with a collection of provocative, toilet-inspired ceramic works aimed squarely at oppressive leaders. Here’s what went down at this politically charged event.
THE WHO, WHAT & WHY
Mervyn Gers is a celebrated South African ceramic artist known for his textured, often socially conscious work. With Dump on Dictators, Gers transforms a universal object — the toilet — into a powerful symbol of defiance against authoritarian regimes, both past and present.
The exhibition arrives at a time when global conversations around power, censorship, and control are louder than ever. By using handcrafted ceramic toilets as his canvas, Gers invites audiences to literally and metaphorically flush away the relics of tyranny.
WHY IT MATTERS / WHAT IT MEANS FOR THE CULTURE
In a digital age of cancel culture and political polarisation, Dump on Dictators reminds us of the importance of art as rebellion. Gers uses satire, craft, and shock value to open conversations about leadership, control, and the everyday citizen’s right to dissent.
South Africa, with its own complex history of authoritarian rule, is the perfect stage for this exhibition — offering both local and global relevance. The show isn’t just about ceramics; it’s about culture, courage, and refusing to stay silent.
The star of the show was a larger-than-life ceramic toilet titled Take a Dump on Trump. Featuring a hand-painted portrait of the former US president inside the bowl and surrounded by satirical American iconography, the piece stole the spotlight on opening night. Gers’ bold critique of populist politics and celebrity authoritarianism sparked immediate conversation, with guests lining up to snap photos beside the work. It’s a cheeky, unfiltered reminder that no leader — no matter how powerful — is above public scrutiny.
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