The song "Beat Up Chanel$" feels like Slayyyter at her most confident while still holding onto her core sound. It’s an effortless blend of nostalgic pop and dance music that makes it impossible to stand still.

Drake & Central Cee’s Which One lands as another polished Drake single: pop-rap comfort, predictable hooks, and chart poised—yet fans say it’s Central Cee who steals the spotlight with stronger verses and livelier energy.

Cape Town’s Eat The Elderly drop the video for “Cosmic Slaughter” — a hilarious, heavy, and out-of-this-world romp through their signature sound: extreme metal with cosmic vibes and zero chill.

“DON’T TAP THE GLASS” feels like Tyler, The Creator at his loosest and most nostalgic. Less brooding than Chromakopia, this surprise release invites listeners off the wall and onto the dancefloor. It’s a celebration of movement, memory, and not taking yourself too seriously—even if just for one album.

Red Orion’s new single “4AM” is a moody indie pop and alt-R&B track built for restless nights and emotional spirals. With haunting lyrics, pulsating 808s, and stripped-back production, the song captures the emotional blur of love, lust, and doubt that surfaces in the quiet early hours. Released via Crimson Moonchild, it’s a vulnerable and genre-blending offering from the rising Cape Town-based artist.

Yung Beathoven’s latest music video “FAKE IT” fuses indie-pop, hip-hop, and rock into a genre-bending anthem for anyone battling self-doubt and imposter syndrome. Styled like a black-and-white silent film, the video delivers biting commentary on the creative industry with humor, heart, and charisma.

Tame Impala’s End of Summer is a seven‑minute ambient dance track that trades psychedelia for acid‑house intimacy. Kevin Parker channels late‑’80s rave energy into a hypnotic groove—equal parts dreamy and restrained. A measured yet bold return that hints at new directions.

When I was scouring the interwebs for new music, I listened to a bunch of really great songs but more well-known acts, but when I hit play on ‘one thing' by strongboi, I immediately felt moved by it.

“Anxiety Wins” finds Joyner Lucas stepping back from aggressive rap to reveal a quieter turmoil. With blackbear’s melodic hook smoothing the edges, the track unfolds as a raw, slow-building confession—an emotional high point on ADHD 2 that brings mental health into sharp focus.

For an album with a title like ‘SWAG’ to contain so much depth in it, it’s hard not to enjoy a great intentional juxtaposition. There’s a contrast that occurs when you see something at face value and assume things to be true about it, only to realize that once you truly take the time to listen, you see that it was not what you thought it was.